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  • Courtesans Printed in Blue Tote Bag

    £12.00

    Qty: 1

  • Red Waves Cushion, Velvet Cushion, Chinoiserie pillow

    £45.00

    Qty: 1

  • Canvas Tote Bag, Japanese Bag, Tote Bag with Pockets, Maples in Autumn

    £20.00

    Qty: 1

  • Goldfish Cushion Cover

    £35.00

    Qty: 1

  • Artist Silk Scarf, Rainbow Mountain, Chinoiserie

    £55.00

    Qty: 1

  • Spring Tote, Canvas Tote

    £12.00

    Qty: 1

  • Mountain Cushion Cover

    £35.00

    Qty: 1

  • Chinoiserie Floral Silk Scarf, Gold silk

    £50.00

    Qty: 1

  • Bullfinch Coin Purse

    £12.00

    Qty: 1

  • Bird Cushion, Chinoiserie pillow, Silk with Piped edge

    £45.00

    Qty: 1

Total £321.00
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  • 喜多川歌麿 (5)
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    Kitagawa Utamaro, Woman Portrait 01
    £50.00 – £90.00

    Availability: In stockOut of stock

    Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

  • 喜多川歌麿 (2)
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    Kitagawa Utamaro, Woman Portrait 02
    £50.00 – £90.00

    Availability: In stockOut of stock

    Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

  • 喜多川歌麿 (6)
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    Kitagawa Utamaro, Woman Portrait 03
    £50.00 – £90.00

    Availability: In stockOut of stock

    Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

  • 喜多川歌麿 (48)
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    Kitagawa Utamaro, Woman Portrait 04
    £50.00 – £90.00

    Availability: In stockOut of stock

    Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

  • 014774
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    Kitagawa Utamaro, Woman Portrait 05
    £50.00 – £90.00

    Availability: In stockOut of stock

    Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

  • 喜多川歌麿 (43)
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    Kitagawa Utamaro, Woman Portrait 06
    £50.00 – £90.00

    Availability: In stockOut of stock

    Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

  • 喜多川歌麿 (42)
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    Kitagawa Utamaro, Woman Portrait 07
    £50.00 – £90.00

    Availability: In stockOut of stock

    Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

  • 喜多川歌麿 (31)
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    Kitagawa Utamaro, Woman Portrait 08, Japanese Art Print
    £50.00 – £90.00

    Availability: In stockOut of stock

    Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

  • cushion 201001
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    Lie Detector Cushion Cover
    £35.00

    Availability: In stockOut of stock

    China has an old saying, “physiognomy from the heart” meaning that an individual’s appearance will be affected by their inner world. Artist Chen’s “Lie Detector” series of oil paintings depicts various facial expressions with golden backgrounds to explore his “physiognomy from the heart” concept. This soft cushion has a design inspired by the ‘Lie Detector’ series. It makes a unique gift and a beautiful decoration for any bedroom or living room. New & exclusive to JE gallery, we are obsessed with contemporary art.

  • Magnet 201003b
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    Lie Detector Fridge Magnet
    £5.00

    Availability: In stockOut of stock

    China has an old saying, “physiognomy from the heart” meaning that an individual’s appearance will be affected by their inner world. Artist Chen’s “Lie Detector” series of oil paintings depicts various facial expressions with golden backgrounds to explore his “physiognomy from the heart” concept. This fridge magnet collection has a design inspired by the ‘Lie Detector’ series oil paintings. It would make a fun gift with a secret mission to prevent your partner from stealing food from the fridge. New & exclusive to JE gallery, we are obsessed with contemporary art.

     

  • 2004w
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    Long Lin, A Way Out 1, 2015
    £260.00 – £330.00

    Availability: In stockOut of stock

    Artist Long Lin is born in 1991 in Fuzhou, Fujian Province, China. In 2014 she created a series of works with sunflowers. Her source of inspiration was a giant sunflower which she encountered whilst walking in the botanical garden of the local university.  Artist Lin was initially scared by the encounter as she feared that it might swallow her whole in a split second.

    “The sunflower is like me, I often doubt myself, but I won’t give up. Every time I reflect myself through my artwork, my painting is the record, it records the conversation I had with myself. I do not need to look in the mirror to see my expression, but when I look at my art, it expresses how I felt at that time”.

  • 60x60
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    Long Lin, A Way Out, 2015
    £260.00 – £330.00

    Availability: In stockOut of stock

    Artist Long Lin is born in 1991 in Fuzhou, Fujian Province, China. In 2014 she created a series of works with sunflowers. Her source of inspiration was a giant sunflower which she encountered whilst walking in the botanical garden of the local university.  Artist Lin was initially scared by the encounter as she feared that it might swallow her whole in a split second.

    “The sunflower is like me, I often doubt myself, but I won’t give up. Every time I reflect myself through my artwork, my painting is the record, it records the conversation I had with myself. I do not need to look in the mirror to see my expression, but when I look at my art, it expresses how I felt at that time”.

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