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Showing 193–204 of 278 results
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Showing 193–204 of 278 results
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Shen Jing Dong , Navy and Donald Duck, Pop Art
£940.00Availability: In stockOut of stock
The icon that Shen Jingdong’s “hero” series created, is an image of the soldiers without any personal identity. This image is hardly to tell who the specific soldier is. His facial features are vague, and in fact he is a man in common sense. The clothing and attitude in-which he stands, his identity and individuality are replaced by a common ideology.
The image of the soldier which was named hero is out of refinement. They are created into four kinds of people, which are the red, the yellow, the bald and the soldiers with hat. The yellow soldiers possess a hue of humanity, and the red soldiers stand for the solemn atmosphere of revolution. Their bodies are not only dressed in the uniform dress, but also have a fixed correct upright posture. This kind of image comes from his experience in the army. Almost every soldier with an “out of the box”personality will be uniformed in the end after joining the army.
The following painting depicts a marine soldier in his uniform, with a Donald Duck holding his hands on the soldier’s ear. The artist enjoys mixing serious subjects with humour. It is for him, a way for his message to go through more easily.
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Shen Jing Dong , Rabbit
£940.00Availability: In stockOut of stock
Jokes and humor are the most distinctive artistic traits in Shen’s work. The formation of his artistic language was related to the confusion brought about by his early dislocation of identity. In his mature period, his early experiences were extended into a consideration of the collective unconscious of several generations of Chinese people since the time of the revolution. On the surface, the works are full of absurd self-ridicule and satire, but behind this comedic absurdity and fiction lies an authentic Chinese emotional experience.
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Shen Jing Dong , Sh!, Pop Art
£350.00Availability: In stockOut of stock
In Sh!, a green person is looking straight at the viewer with his index finger over his lips. Red nose, white rounded background, and a bandaid over the neck and head. The figure is smiling, but somehow, it puts the viewer in an uncomfortable position as if we had seen something and now had to keep it secret.
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Shen Jing Dong , Vision, Pop Art
£940.00Availability: In stockOut of stock
Jokes, amusement, and humour have always been important to Shen Jingdong’s work. Most importantly, he employs absurdity, appropriation, self-ridicule, and ordinary political satire, which arise from identity dislocation.
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Sheng YU, Bird 01
£50.00 – £90.00Availability: In stockOut of stock
Sheng Yu (1692-1767) was born in Changshu, Jiangsu province. He was the court painter in Qing dynasty and his principle subjects were flowers, birds, fish and insects. His paintings are not only considered to have artistic value, but also to provide an important directory of wild life.
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Sheng YU, Bird 02
£50.00 – £90.00Availability: In stockOut of stock
Sheng Yu (1692-1767) was born in Changshu, Jiangsu province. He was the court painter in Qing dynasty and his principle subjects were flowers, birds, fish and insects. His paintings are not only considered to have artistic value, but also to provide an important directory of wild life.
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Sheng YU, Bird 03
£50.00 – £90.00Availability: In stockOut of stock
Sheng Yu (1692-1767) was born in Changshu, Jiangsu province. He was the court painter in Qing dynasty and his principle subjects were flowers, birds, fish and insects. His paintings are not only considered to have artistic value, but also to provide an important directory of wild life.
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Sheng YU, Bird 04
£50.00 – £90.00Availability: In stockOut of stock
Sheng Yu (1692-1767) was born in Changshu, Jiangsu province. He was the court painter in Qing dynasty and his principle subjects were flowers, birds, fish and insects. His paintings are not only considered to have artistic value, but also to provide an important directory of wild life.
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Shining Lang, Eternal Spring 01
£50.00 – £90.00Availability: In stockOut of stock
Shining Lang (Giuseppe Castiglione 19th July 1688 – 17th July 1766) was an Italian Jesuit lay brother who served as a missionary in China. Castiglione’s style emphasized color, perspective, and light as found in Italian Renaissance art. Castiglione came to the attention of the Qianlong emperor (r. 1736-1795) and he served as an artist for the court. Castiglione eventually became a respected painter and earned the appreciation of the Qianlong emperor, which was a considerable honor for a foreign artist at the time.
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Shining Lang, Eternal Spring 02
£50.00 – £90.00Availability: In stockOut of stock
Shining Lang (Giuseppe Castiglione 19th July 1688 – 17th July 1766) was an Italian Jesuit lay brother who served as a missionary in China. Castiglione’s style emphasized color, perspective, and light as found in Italian Renaissance art. Castiglione came to the attention of the Qianlong emperor (r. 1736-1795) and he served as an artist for the court. Castiglione eventually became a respected painter and earned the appreciation of the Qianlong emperor, which was a considerable honor for a foreign artist at the time.
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Shining Lang, Eternal Spring 03
£50.00 – £90.00Availability: In stockOut of stock
Shining Lang (Giuseppe Castiglione 19th July 1688 – 17th July 1766) was an Italian Jesuit lay brother who served as a missionary in China. Castiglione’s style emphasized color, perspective, and light as found in Italian Renaissance art. Castiglione came to the attention of the Qianlong emperor (r. 1736-1795) and he served as an artist for the court. Castiglione eventually became a respected painter and earned the appreciation of the Qianlong emperor, which was a considerable honor for a foreign artist at the time.
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Shining Lang, Eternal Spring 04
£50.00 – £90.00Availability: In stockOut of stock
Shining Lang (Giuseppe Castiglione 19th July 1688 – 17th July 1766) was an Italian Jesuit lay brother who served as a missionary in China. Castiglione’s style emphasized color, perspective, and light as found in Italian Renaissance art. Castiglione came to the attention of the Qianlong emperor (r. 1736-1795) and he served as an artist for the court. Castiglione eventually became a respected painter and earned the appreciation of the Qianlong emperor, which was a considerable honor for a foreign artist at the time.