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Katsushika Hokusai (1760-1849) was the leading ukiyo-e artist and printmaker of the later Edo period. In his time, he was also Japan’s foremost expert on Chinese painting. Hokusai has created the ” Thirty-Six Views of Mount Fuji” in response to a domestic travel boom and also partly because his personal obsession with Mount Fuji. He has painted the Great Wave off Kanagawa during the 1820s which secured Hokusai’s fame both in Japan and internationally.

Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

Kitagawa Utamaro (1753 – 1806) was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women. Utamaro’s work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated.

Utagawa Kuniyoshi (1797-1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and paintings. The range of Kuniyoshi’s subjects included landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes. His artwork incorporates aspects of Western representation in landscape painting and caricature.